Gaetano Donizetti
1797 – 1848 · Italian · 36 operas in the catalogue
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his over 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti. Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis.
Text from the Wikipedia article "Gaetano Donizetti", licensed CC BY-SA 4.0.
Operas in the Opera Almanac Catalogue
- 1818 Enrico di Borgogna, 1818 Italian
- 1819 Il falegname di Livonia, 1819 Italian
- 1822 Chiara e Serafina, 1822 Italian
- 1822 La zingara, 1822 Italian
- 1823 Alfredo il grande, 1823 Italian
- 1823 Il fortunato inganno, 1823 Italian
- 1824 Emilia di Liverpool, 1824 Italian
- 1826 Alahor in Granata, 1826 Italian
- 1826 Elvida, 1826 Italian
- 1827 Il borgomastro di Saardam, 1827 Italian
- 1828 Alina, regina di Golconda, 1828 Italian
- 1828 Gianni di Calais, 1828 Italian
- 1828 Il giovedì grasso, 1828 Italian
- 1829 Il castello di Kenilworth, 1829 Italian
- 1829 Il paria, 1829 Italian
- 1830 Anna Bolena, 1830 Italian
- 1830 I pazzi per progetto, 1830 Italian
- 1830 Il diluvio universale, 1830 Italian
- 1830 Imelda de' Lambertazzi, 1830 Italian
- 1831 Francesca di Foix, 1831 Italian
- 1831 La romanziera e l'uomo nero, 1831 Italian
- 1832 Fausta, 1832 Italian
- 1832 L'elisir d'amore, 1832 Italian
- 1833 Il furioso all'isola di San Domingo, 1833 Italian
- 1834 Gemma di Vergy, 1834 Italian
- 1836 Belisario, 1836 Italian
- 1836 Betly, 1836 Italian
- 1836 Il campanello, 1836 Italian
- 1839 Gianni di Parigi, 1839 Italian
- 1841 Adelia, 1841 Italian
- 1843 Dom Sébastien, 1843 French
- 1843 Don Pasquale, 1843 Italian
- 1844 Caterina Cornaro, 1844 Italian
- 1869 Gabriella di Vergy, 1869 Italian
- 1960 Il Pigmalione, 1960 Italian
- n/a Don Gregorio Italian