Domenico Cimarosa

Domenico Cimarosa (Italian: [doˈmeːniko tʃimaˈrɔːza] ; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan School and of the Classical period. He wrote more than eighty operas, the best known of which is Il matrimonio segreto (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine the Great of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51.

Life & Operatic Output

Domenico Cimarosa (1749–1801) stands among the composers represented in the OperaPedia catalogue, with 6 stage works entered into the archive. Working in the Italian tradition, the composer's operatic output is preserved here in editorial entries that draw on public-domain reference sources and contemporary scholarship.

The Baroque moment in which Domenico Cimarosa worked offered a particular set of theatrical and musical conventions: the orchestration vocabularies, the formal expectations of audiences, the standards of vocal writing and stagecraft prevailing in the leading houses, and the close relationship between composer and librettist that defined the working life of every opera composer of the period. The works listed below should be read against that broader cultural and institutional background.

Each individual entry on this page links to a complete article giving the synopsis, premiere details, language of performance, and notable arias for the work in question. Readers consulting OperaPedia for the first time may wish to begin with the most frequently performed of Domenico Cimarosa's operas before working outward into the lesser-known corners of the catalogue.

Listeners and students approaching the operatic output of Domenico Cimarosa will find that the entries linked below trace a coherent arc through the composer's career. Each opera's individual page in OperaPedia includes the synopsis, the librettist's contribution, the date and venue of the premiere, the language of performance, and notes on the principal arias and ensembles. Where the source data permits, we also note the relationship of each work to the broader currents of Baroque opera.

Operas in the OperaPedia Catalogue

The following 6 operas by Domenico Cimarosa are catalogued in OperaPedia, listed in chronological order of premiere. Click any title for the full editorial entry, including synopsis, premiere details, language, and notable arias.

• n/a Gli Orazi e i Curiazi Italian
• 1766 Il matrimonio segreto, 1766 Imperial Hofburg Theatre Italian
• 1781 Giannina e Bernardone, 1781 Teatro San Samuele Italian
• 1781 Giunio Bruto, 1781 Italian
• 1793 Il maestro di cappella, 1793 Italian
• 1801 Artemisia, 1801 Teatro La Fenice in Venice on Italian

Stylistic Position & Reception

Domenico Cimarosa's position within the operatic canon has been shaped by performance tradition as much as by scholarly judgment. The works that survive in the active repertory of the major houses tend to be those that combine memorable vocal writing with dramatically effective situations · qualities that audiences continue to respond to from one generation to the next. Other works in the catalogue, less frequently performed, often reward closer study by singers, conductors, and dramaturges seeking to broaden the standard repertoire.

Modern scholarship on Domenico Cimarosa has been substantially enriched by the publication of critical editions of the major scores, by the rediscovery of forgotten works and revisions, and by the steady documentation of performance history through recordings, theatre archives, and contemporary criticism. The biographical sketch above and the catalogue of works are compiled from public-domain reference sources, including the structured Wikidata layer and the corresponding English Wikipedia article.

Editorial Note

OperaPedia maintains its composer entries as living documents, revised whenever new editorial work justifies a change. If you encounter a factual error in the biographical material above or in the linked opera entries, please write to the editors using the contact details on our about page.