Giselher Klebe

Giselher Wolfgang Klebe (28 June 1925 – 5 October 2009) was a German composer, and an academic teacher. He composed more than 140 works, among them 14 operas, all based on literary works, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music.

Life & Operatic Output

Giselher Klebe stands among the composers represented in the OperaPedia catalogue, with 10 stage works entered into the archive. Working in the German tradition, the composer's operatic output is preserved here in editorial entries that draw on public-domain reference sources and contemporary scholarship.

The Unknown moment in which Giselher Klebe worked offered a particular set of theatrical and musical conventions: the orchestration vocabularies, the formal expectations of audiences, the standards of vocal writing and stagecraft prevailing in the leading houses, and the close relationship between composer and librettist that defined the working life of every opera composer of the period. The works listed below should be read against that broader cultural and institutional background.

Each individual entry on this page links to a complete article giving the synopsis, premiere details, language of performance, and notable arias for the work in question. Readers consulting OperaPedia for the first time may wish to begin with the most frequently performed of Giselher Klebe's operas before working outward into the lesser-known corners of the catalogue.

Listeners and students approaching the operatic output of Giselher Klebe will find that the entries linked below trace a coherent arc through the composer's career. Each opera's individual page in OperaPedia includes the synopsis, the librettist's contribution, the date and venue of the premiere, the language of performance, and notes on the principal arias and ensembles. Where the source data permits, we also note the relationship of each work to the broader currents of Unknown opera.

Operas in the OperaPedia Catalogue

The following 10 operas by Giselher Klebe are catalogued in OperaPedia, listed in chronological order of premiere. Click any title for the full editorial entry, including synopsis, premiere details, language, and notable arias.

• 1907 Ein wahrer Held, 1907 German
• 1957 Die Räuber, 1957 German
• 1959 Die Ermordung Cäsars, 1959 German
• 1959 Die tödlichen Wünsche, 1959 Deutsche Oper am Rhein German
• 1961 Alkmene, 1961 German
• 1969 Das Märchen von der schönen Lilie, 1969 German
• 1976 Das Mädchen aus Domrémy, 1976 Staatsoper Stuttgart German
• 1977 Das Rendezvous, 1977 German
• 1980 Der Jüngste Tag, 1980 German
• 2008 Chlestakows Wiederkehr, 2008 German

Stylistic Position & Reception

Giselher Klebe's position within the operatic canon has been shaped by performance tradition as much as by scholarly judgment. The works that survive in the active repertory of the major houses tend to be those that combine memorable vocal writing with dramatically effective situations · qualities that audiences continue to respond to from one generation to the next. Other works in the catalogue, less frequently performed, often reward closer study by singers, conductors, and dramaturges seeking to broaden the standard repertoire.

Modern scholarship on Giselher Klebe has been substantially enriched by the publication of critical editions of the major scores, by the rediscovery of forgotten works and revisions, and by the steady documentation of performance history through recordings, theatre archives, and contemporary criticism. The biographical sketch above and the catalogue of works are compiled from public-domain reference sources, including the structured Wikidata layer and the corresponding English Wikipedia article.

Editorial Note

OperaPedia maintains its composer entries as living documents, revised whenever new editorial work justifies a change. If you encounter a factual error in the biographical material above or in the linked opera entries, please write to the editors using the contact details on our about page.